Painting on Vashon Island

I just spent a day with a group of artists painting in and around this wonderful garden on Vashon Island. Overcast early in the morning was followed by bright sunlight and strong shadows. A soft breeze came off the water, making the 80˚afternoon very pleasant for painting.

A Grape and Cherries . . .

Yesterday we painted together again. Sophia painted a grape and I painted some cherries. Another great day!

A great adventure . . . painting with friends

When Sophia arrived the first day, I was gessoing panels . . . so she had a hand at it as well. Then we went outside to paint cherries. Great fun! Believe it or not, I forgot to photograph the paintings.

This was the next day. We painted two oranges. This time Sophia's sisters and a brother came as well. Their plan was to just drop her off and come back later to pick her up. I invited them to stay . . . so . . .

Giuliana sketched on large paper.

Antonio experimented with waterproof ink, using a real quill and several pens. Liked watercolor and acrylic much better . . .

Break-time, always a good idea. The orange hat is over Gala, their driver (mom). The sketcher is under the white hat and the fan is over Annalisa.

"Adventures with Harry"

oil on panel

9 x 12 inches

This is one of those paintings that had moments of great joy mixed with wondering how to turn it into something I actually like. I was wanting to simplify, keep loose brush strokes, not get too fussy and still tell the story in a pleasing way. My last posting shows how far I got before I decided to give it a rest. It sat off to the side of my easel for almost a month.

I added more paint today and have decided it is now finished. I do enjoy the way the process ended.

Beginning sketch . . .

oil on panel

9 x 12 inches

The beginning sketch changing as the painting heads toward finish.

William F. Reese

Bill's pochade box, brushes and painting

- this photo by Darrell Anderson -

Earlier this week many of us gathered to pay our respects to a dear friend, William F. Reese. I think perhaps Darrell Anderson said it best.

"A fierce wind must have howled in off the plains the day Bill left us, trying in vain to fill the huge artistic vacuum he left behind. Oil painter, watercolorist, pastelist, etcher, sculptor........outstanding in all, Bill approached his craft with an intense dedication."

Last year Bill was to be the inspirational speaker at the Alpha-1 Association national education conference in San Francisco. Due to illness he was unable to attend. This link will take you to his presentation, which was put together by Bill on his home computer and delivered via DVD. It shows some of his works as he tells how having Alpha-1 inspired him to "live life to the fullest."

Bill and his wife Fran remain two of the finest people I have ever known.

"In Preparation"

oil on panel

7.75 x 8 inches

The monks are getting ready for the opening ceremonies for the weeklong making of a sand mandala.

Painting in process . . .

Tibetan monks preparing for the opening ceremony, which begins the five day process of making a sand mandala. I will post the painting again when it is finished.

Creating A Sacred Sand Mandala

The colored sand to be used.

Early the first day, laying out the design.

Laying in the center of the mandala with colored sand.

This week a group of Tibetan monks from Drepung Loseling Monastery in India came to Bastyr University, where they spent five days creating and, ultimately, destroying a sacred sand mandala. The tradition honors impermanence of life.

Since this is near my home, I was able to stop by for a while on three days. My visits included the traditional opening and closing ceremonies, where the monks chanted and played instruments filling the air with rich sounds.

For five days the monks painstakingly laid millions of grains of sand into place in geometric shapes, containing a multitude of ancient spiritual symbols. Shortly after completion, the mandala was destroyed in a sacred ceremony as all the sand was swept into the center. Half went into an urn, and the remainder was distributed to the audience.

Then chanting, monks left the hall. They carried the urn to the lake. Once at the water's edge, the chanting began again and the sand was offered to the water in a ceremony with prayers for peace and healing the earth.

N.A.W.A. 121st Annual Exhibition

All Dressed Up is on its way to the National Arts Club in NYC, where it will hang in the National Association of Women Artists 121st Annual Exhibition. The exhibition opens June 9th and runs through the 27th. Please stop by if you are in the area.

National Arts Club, 15 Gramercy Park South, NYC. Phone 212 475-3424

"April Flowers"

Most of the petals have now fallen and I decided the painting is finished. I did managed to capture some of the rich and subtle color changes I wanted.

This is one of those paintings where I really needed more time. Perhaps a better way to say that is that I would like to be able to get it right the first time. Then I am sure the flowers would last long enough.

Flowers, a work in progress

This is the beginning of a new painting. The flowers are from a friend's garden. She came with three armloads of them! After they all went into warm water in the sink for several hours, they became three large bouquets. This is the first. I hope to finish the painting before the petals start to fall.

I am delighted to announce I have just become a juried member of the prestigious National Association of Women Artists. Founded in 1889 and based in New York City, N.A.W.A. is the oldest professional women's fine art organization in the United States.

"Dreaming"

oil on canvas

24 x 12 inches

Every now and then I set a painting aside. Months or years later, I pull it out, have a fresh look and decide if I will add it to the burn pile or paint a little more.

Dreaming is from several 2003 sketches. I liked the idea and started the painting several years later. The model was long gone, same for the costume and set (Seattle Gilbert & Sullivan's Gondoliers).

This week I pulled the painting out and set it where I could easily see for several days. Then I began painting again.

While it is much better than it was, it can't compare with working from life, where one can observe contrasts and ask: warmer/cooler, lighter/darker, stronger or more subtle? When working from life, all the information needed is in front of you just waiting to be captured in paint.

"Grandma's Rocking Chair"

10 x 8 oil on panel

This is a small studio painting. She sat so still and was a joy to paint! And, yes, her hair is brilliant. The subtle color changes are lost here. The painting has many shades of soft rose, lavender, and brown and is much richer than shown.

"Slow Ride"

12 x 16 inches

oil on panel

Reflections on the surface of water always catch my attention. When a kayak comes down the waterway, I pause. Time stops. Everything changes before my eyes. The experience is always magical. This was just one of those days along our favorite walking trail.

Great Fun . . .

Wishing you a Happy New Year!

One afternoon this last week a quartet from the Seattle Dickens Carolers came by to serenade us. They are Wonderful! I highly recommend them.

painting a little more . . .

A little more paint has been added to the figures. I am standing on a box so I can reach the top hat on the tallest figure. I hope to post the rest of the images in a day or two.

Painting the Dickens Carolers

Several months ago I sketched four figures on 4 x 8' sheets of plywood. (Parts of two panels are shown in "A fun project . . . " posted on December 17, 2009)

When the figures were finished, they became part of a display used by the Seattle Dickens Carolers in late October and mid November this year. When I receive a photo of their final use, I will post it. I have put together a series of images showing the figures in the shop during the painting process and will post after they are turned into a short video.

A fun project . . .

In late October I painted four Dickens Carolers for a friend.

The project began by sketching four life-size figures with chalk on three 4x8' sheets of plywood. Next they were then cut out by Nathan Rodda, the model shown here. I might add, Nathan is the fantastic set designer for the Seattle Gilbert & Sullivan Society and heads the Seattle Dickens Carolers.

When I figure out how to post images of the project in process, I will post that here as well.

"Orcus Sunflowers"

10 x 8"

oil on panel

These were down the road from an Orcus Island cabin rented with friends. We stayed and painted for a week. This was, of course, when the flowers were actually in bloom. It has been below freezing for a week and actually dropped to 17° one day, very unusual for the area. I decided to post something from a warmer day.

"Inside Out"

14 x 10"

oil on panel

Click image to enlarge

Juror: Margaret Bullock, Curator of Collections and Special Exhibitions at the Tacoma Art Museum, has chosen Inside Out, All Dressed Up and Fashionably Yours, for the group exhibition:

WPW at American Art Company in Tacoma WA.

"Inside Out" the left panel in the triptych, won the M. Graham Company Award last night.

Exhibition runs through October 10th, 2009

"Two More"

8 x 10 inches

oil on gessoed museum board

I loved the light coming through the glass bowl and the wonderful colors and patterns in cast on the table! The good news is - thse cherries can “model” many times and still be eaten. 

"Mahjong Cherries"

6 x 8 inches

oil on gessoed museum board

I found some cherries with stems still attached and had such fun, I ended up with a series of paintings. I will continue to add new paintings until the cherries are gone. Some have been painted five times before eaten! Such restraint.

Utopia, Limited

On the shop floor, shot from the top of a tall ladder. It is now on the wall in Act II of Utopia, Limited. The show opens a three week run at the Bagley Wright Theater in Seattle tonight. Show dates: July 10-11, 16-18, 23-25. Ticket information.

The Seattle Gilbert & Sullivan Society's photographer shooting during dress rehearsal for Utopia, Limited.

Shield Section for Utopia, Limited

The upper right section of the shield set out on shop floor.

If you click to enlarge, you will see the spattering over everything, the final step in coloring. This spatter softens the effect and makes everything appear more believable from the audience. In the larger image you can also see the chalk marks, guides for the person who will screw all the carved parts to the circle base, finishing the shield.

The set designer, Nathan Rodda, asked me to make the lettering casual, loosely Roman, not perfect. The Seattle Gilbert & Sullivan Society's production of Utopia, Limited opens Friday night, July 5th. For more information click here.