The upper right section of the shield set out on shop floor.
If you click to enlarge, you will see the spattering over everything, the final step in coloring. This spatter softens the effect and makes everything appear more believable from the audience. In the larger image you can also see the chalk marks, guides for the person who will screw all the carved parts to the circle base, finishing the shield.
The set designer, Nathan Rodda, asked me to make the lettering casual, loosely Roman, not perfect. The Seattle Gilbert & Sullivan Society's production of Utopia, Limited opens Friday night, July 5th. For more information click here.
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